Overview

b. Florence, AL; Lives and works in Richmond, VA

Sarah Irvin’s art explores the cultural resonance and social significance of mothering as a practice of care. Irvin brings the durational events and material objects of child-rearing into contexts that reveal their relations to the economy, public health, language, and more. Irvin has developed an interdisciplinary practice that is poetic yet pragmatic, blending analog and digital processes including painting, sculpture, video, and installation to investigate -- and abstract -- trauma, embodiment, and routine alike. She documents her labor and mental processes instead of her form, articulating a subjectivity that is open to possibility rather than essentially gendered and explicitly individual. 

Exhibitions
Works
  • Sarah Irvin, Connect the Dots: 265, 2022
    Connect the Dots: 265, 2022
  • Sarah Irvin, Paratext no. 26, 2021
    Paratext no. 26, 2021
  • Sarah Irvin, Stay at Home Order, 2021
    Stay at Home Order, 2021
  • Sarah Irvin, Out of the Furrow (video), 2020
    Out of the Furrow (video), 2020
  • Sarah Irvin, X Stamp, No. 4, 2019
    X Stamp, No. 4, 2019
  • Sarah Irvin, Infant Feeding Log (first and last sessions), 2018
    Infant Feeding Log (first and last sessions), 2018
  • Sarah Irvin, Rocking Chair Series, 2014
    Rocking Chair Series, 2014
Press